December 20, 2022
Earlier this month, I published a fascinating article on sound therapy (“Sound Therapy 101: Foundations Of The Ancient Origins & Healing Power Of Sound Therapy & Music Medicine.”), written by world-renowned acoustics scientist John Stuart Reid.
That article discussed how sound therapy, sometimes referred to as vibrational medicine, has been used as a natural form of healing for centuries. Today, sound therapy is gaining major traction as one of alternative medicine’s most popular treatments for providing holistic health benefits.
John Stuart Reid has dedicated his career to changing the way people think about sound. After many years of research, he began to teach about health and sound healing, and he is now considered a leading authority in the field. This article, Part 2 in the series, builds on the history and mechanisms behind sound therapy and goes way beyond to delve into the research and future applications.
Hear me out here: sound is a fundamental medium through which you interact and experience life; hence, its significance extends far beyond mere entertainment.
For example, research has shown that certain forms of music can alter your physiological state by influencing hormones, brainwaves, and nervous system activity—literally allowing you to “feel” in a different way. Sound that can induce a positive response in your body can be generated by anything from chanting, tuning forks, percussion instruments like drums, vocals, and more.
A quick word on this particular article: It is significantly longer than most that I publish. Also, while generally in articles I will define more specialized terms, in this article I have not done that as often. The reason is that it has been intentionally written as a more advanced exploration of sound therapy, hence the “201” designation (and, well, it’s long enough already, especially when combined with 101!). If you’re finding yourself feeling like you’re in over your head, I have two suggestions. The first is that you bookmark the article and read a section at a time. The second is that if you encounter unfamiliar words and phrases, take advantage of that ubiquitous internet tool: Google. You can even think of this article as the equivalent of a course on sound therapy; if you can take the time to understand the information, your vibrational medicine knowledge base will be far beyond most.
Then, if you’re still wanting more, I highly recommend John’s free online training, in which you can watch a profound experiment with pure water, learn how cells are powered by life-giving electricity, and hear about the many medical conditions that can be supported by frequency medicine in the form of light therapy.
However you go about digesting what’s here, definitely make sure you read the last section, The Future Of Vibrational Medicine, in which John likens the sound healing field to Star Trek. He’s not wrong.
The intent of this article is to help you understand the many biological mechanisms advantageously activated by sound and music, collectively categorized as “vibrational medicine.”
Since the development of quantum physics in the twentieth century, discoveries made in medical physics reveal the body as a complex interplay of biofields in which energy-information flows throughout the organism. At the level of the cell, information is exchanged through electromagnetic signals—primarily in the far infrared spectrum—in addition to biochemical signals and sonic frequencies.
At the atomic level, biological complexities and energy-information flow can be viewed in terms of vibration. Nobel Laureate Max Planck said:
“As a man who has devoted his whole life to the most clear-headed science, to the study of matter, I can tell you as a result of my research about atoms this much: There is no matter as such. All matter originates only by virtue of a force which brings the particle of an atom to vibration and holds this minute solar system of the atom together.”
It is in this context that vibrational medicine has its roots: considering the energetic (vibrational) interconnectedness of the mind-body system. Practitioners of holistic medicine, or functional medicine, as it is often referred to, review all aspects of the patient, including their emotions. In this expanded medical model, since the body is comprised of vibrational energy, a wide variety of vibrational and energetic modalities are available to support the patient’s physiology, including sound and music.
Some of the physiological mechanisms initiated by sound therapy and music medicine are achieved by whole-body immersion in specific sound frequencies, or in music, either recorded or live. Other mechanisms, initiated neurologically, can be achieved by listening to specific sounds or music with headphones.
An important yet little-discussed aspect of physics, with significant implications for medical science, is that all sounds, whether single frequencies or a complex array of musical frequencies create far infrared light (FIR), due to the atomic physics of inelastic sonic collisions. The infrared light created by sound and music is why sound intensity is measured in watts per meter squared and such light is modulated in amplitude by the sound, thus, carrying the FIR component of the sonic energy information almost 4 cm into the body’s tissues. As intercellular communication occurs mainly in the far infrared spectrum, the physics of sound-light interactions infers that sonic-modulated light is conveyed to cells in the medium of their own “language.”
Music Medicine, Sound Therapy & Music Therapy Defined
Before exploring the biological mechanisms that underpin Music Medicine and Sound Therapy, it is helpful to provide clear definitions of these modalities.
It is also beneficial to define the related, yet distinct, field of Music Therapy.
Music medicine may be defined as, “Listening to music (for the purpose of healing) without the presence of a therapist.”
Music medicine is a relatively new clinical modality that refers to the therapeutic utilization of music, chosen by the patient in a clinical setting without the intervention of a therapist. As its title implies, music medicine focuses on the demonstrable benefits of music as treatment for specific health challenges. The mechanisms by which music affects the body’s systems are complex and this article provides a short introduction to this subject.
The International Sound Therapy Association defines Sound Therapy as, “The application of audible sound to the full body or to a specific part of the body, from electronically-generated sound sources, or from musical sources, as therapeutic support, by a credentialed Sound Therapy practitioner.”
This definition clarifies that therapeutic audible sound can be generated by electronic means, or provided by a musical source. The biological mechanisms triggered by such sonic support will be discussed later in the article.
At Riuniti hospital in Ancona, Italy, neurosurgeon Dr. Roberto Trignani performed an operation to remove a double tumor in the spinal cord of a ten-year-old boy, while molecular biologist and pianist Emiliano Toso played a grand piano in the operating theatre.
Monitoring the boy’s brain activity via an encephalogram suggested that the boy perceived the music. Dr. Toso said, “We tried stopping, then restarting the music, noticing the patient’s response. Despite the fact that the boy was under total anesthesia, his brain appeared to perceive the music and this was very exciting.” Dr. Trignani, head of the neurosurgery unit of Riuniti Hospital, commented, “Everything went well, there were no complications and there was a magical atmosphere of complete harmony in the Operating Room.”
It is admirable and noble that musicians contribute their time and talent to playing in hospitals. The harp, in particular, has a long history of use in clinical settings and nursing homes and is likely to always form an important aspect of patient care. However, several commercial manufacturers have developed sound-based therapies that can support patients’ recovery from illness, which offer greater flexibility and convenience in clinical settings than live music.
Music therapy is an accepted form of complementary therapy in many hospitals and clinics, and may be defined as, “The clinical and evidence-based use of music interventions to accomplish individualized goals within a therapeutic relationship by a credentialed professional who has completed an approved music therapy program.”
Music therapy is a proven modality but is limiting in the sense that each patient requires a music therapist with whom to work. A plethora of books and scholarly articles are available on the subject of music therapy, and therefore it is not the focus of this article.
Sonic Stimulation For Healthy Breathing
Before discussing the method of sonic stimulation of the sinus cavities and lungs, it is important to outline some of the natural health benefits of nitric oxide (NO).
NO is naturally produced in many areas of the body including the cilia in the sinus cavities and the alveoli in the lungs.
NO reduces blood pressure by vasodilation and many other health benefits are derived from this important molecule, for example, the promotion of wound healing by cellular proliferation and angiogenesis, mediation of cutaneous edema and inflammation, cytotoxic action against pathogens, increased cerebral blood flow and oxygenation to the brain, inhibition of the aggregation of platelets within blood vessels, thus helping prevent thrombotic events, and support of the reduction of pulmonary hypertension and chronic obstructive airway disease.
NO can be produced in the body from the inorganic nitrates in green leafy vegetables and from fruits, particularly by the oral microbiome, and is also stimulated by exercise, which can form part of a rehabilitation program. However, the initial focus in this section is NO production in the sinus cavities brought about by both active and passive sonic stimulation. “Active” stimulation refers to the practice of vocal humming, which has been shown to greatly elevate NO production. The movement of air across the sinus cilia generates NO, from which the many health benefits are derived, although the exact mechanisms by which NO is produced by the cilia are not fully understood.
The practice of nasal breathing is well known in the Yogic practice of pranayama, which means “breath control” in Sanskrit, a practice that is mentioned in the Bhagavad Gita, written at some point between 400 BCE and 200 BCE.
In a paper titled, “Assessment of nasal and sinus nitric oxide output using single-breath humming,” the authors show that NO is significantly increased by a single breath exhalation while humming, as shown in the graph.
The authors of this study also carried out experiments to determine the optimum humming frequencies and concluded that a measured frequency of 130Hz created the highest NO output of the sinus cavity in a human subject. The study does not specify whether the human subject was male or female but in either case, the result is surprising when remembering that the sinuses consist of relatively small cavities, featuring Helmholtz resonant frequencies in the range of 1 kHz to 2 kHz, depending on gender and maturity.
An interesting fact regarding this range of resonant frequencies concerns the ancient Egyptian use of the sistra instrument, the rattle with metal discs, mentioned in my Sound Therapy 101 article. At the Festival of Opet, the sistra were used to stimulate the nostrils: “Receive the sistra presented to your nostril that he may give rejuvenating breath…”, a statement suggesting that the ancient Egyptians were aware that sistra emitted a specific quality of sound that caused a rejuvenating effect on the sinus cavities.
Adult female skulls and sinus cavities are typically smaller than those of adult males; smaller sinus cavities support higher resonant frequencies. It should also be remembered that humming does not generate a single frequency but gives rise to an array of harmonics and that the prime resonant mode of the sinus cavities is automatically “selected” during vocal humming as a natural aspect of Helmholtz resonance (the resonant property of a gas-filled cavity). Therefore, although the fundamental humming frequency of maximal excitation was found to be 130 Hz (in the aforementioned study) the sinus cavities would almost certainly have been excited by a specific harmonic of this frequency.
Nitric oxide is also generated by the alveoli in the lungs and can be stimulated by both active and passive sonic stimulation, actively by humming or singing, and passively by externally applied sonic frequencies or music. Indicators regarding the optimum frequencies for passive stimulation can be obtained from studies in which the respiratory system has been modeled in terms of its resonant sonic characteristics. In a study by the University of Illinois, the Helmholtz resonant frequency of a healthy volunteer is shown to be in the order of 100 Hz, increasing to around 250 Hz for a person suffering from pulmonary fibrosis. These frequencies will vary between individuals due to gender and lung capacity as a function of the patient’s genetic makeup. Similarly, the Helmholtz resonant frequencies of the sinus cavities will vary between individuals.
Identifying the precise resonant frequencies of the patient’s lungs or sinus cavities is not necessary to offer therapeutic intervention if the practitioner plays live or recorded music to the patient at a moderate to high sound level, 70 to 85 dBA (it should be noted that live music contains far more high-frequency harmonics, effective for sinus stimulation). A patient’s sinus cavities or lungs will automatically choose the specific frequency at which the cavity is naturally resonant, and this applies to (for example), in-situ musical instruments, such as pianos, harps, gongs, Tibetan bowls, crystal bowls, and all recorded music via high fidelity sound equipment.
In addition to stimulation of nitric oxide production, acoustic stimulation of the sinus cavities and lungs can also help to clear mucus and improves symptoms of Chronic Obstructive Pulmonary Disease (COPD) and chronic bronchitis.
Nerve Signal Conduction By Sound
To lay a foundation for discussion in the principles of pain mediation by sound, it is important to mention discoveries concerning nerve signal transmission by sound.
In 1952, Alan Hodgkin and Andrew Huxley, working with a squid’s giant axons, described how action potentials (or nerve impulses) in neurons are initiated and propagated, known today as the Hodgkin–Huxley model. It is regarded as one of the great achievements of twentieth-century biophysics, for which they received the Nobel Prize in Medicine in 1963.
Their theory, involving the flow of electric currents in nerves, became the standard teaching model in medical and biology textbooks. However, one aspect that puzzled researchers was the relatively slow conduction speeds in nerves, when compared with the conduction speeds of electric currents in conductors. The speed of light in a vacuum is 2.998 × 10⁸ meters per second, which is approximately equal to a distance of 30cm per nanosecond. The speed of an electrical signal in a coaxial cable is about 2/3 of this or 20cm per nanosecond, therefore, in one second the signal in a coaxial conductor will travel approximately 200,000,000 meters, which equates to a little over half the distance between the earth to the moon.
Nerve fibers, by comparison, conduct signals several orders of magnitude slower than that of coaxial cables. The highest conduction speeds for nerve fibers are those of muscle axons, which can achieve speeds of over 100 meters per second.
However, in 2005 a new model of nerve conduction was proposed by researchers at the Niels Bohr Institute at the University of Copenhagen, whose experiments showed that nerves conduct sound (soliton impulses), which in turn generate electrical pulses, due to the piezoelectric effect. In their paper, they note that “…measured propagation velocities, which are ~100 m/s in myelinated nerves, find a satisfying explanation.”
Explained differently, the propagation of nerve impulses by sound explains the slow conduction speeds, while such sonic impulses give rise to electrical impulses that travel to the brain for interpretation. This discovery has significant implications for sound therapy and music medicine, particularly for whole-body immersion in music and specific sound frequencies.
Sonic Stimulation For Chronic Pain Mediation
Pain is a vital function of the body, providing early warning of damage or potential damage.
It is both a sensory and emotional experience, affected by psychological factors such as past experiences, beliefs about pain, fear, or anxiety.
Tissue injury, for example, initiates the liberation of various inflammatory mediators, including prostaglandins, cytokines, and chemokines. Leukocyte migration to the injured area, a characteristic of the inflammatory response, is associated with pain and tenderness, and is involved in wound healing. Acute pain is well understood and can be successfully mediated by analgesic medications; it is not within the scope of this article.
Chronic pain is a common, complex, and distressing problem, which has a significant impact on individuals and society. Chronic pain, like most diseases, often arises from a series or combination of multiple events. The biological processes that lead to the chronic pain state further increase sensitivity to painful stimuli and perceived levels of stress, which further modifies pain-related gene expression, creating a pathological pain cycle. Even when there is a solitary precipitating event in the genesis of chronic pain (e.g. injury), there remain a series of factors that affect the duration, intensity, and effects (physical, psychological, social, and emotional) of chronic pain.
The International Association for the Study of Pain defines pain as ‘“An unpleasant sensory and emotional experience associated with, or resembling that associated with, actual or potential damage’” and chronic pain as “pain which has persisted beyond normal tissue healing time.” Pain is regarded as chronic when it has lasted for more than three to six months.
Considering that pain is a universal experience, it is not understood why only a relatively small proportion of humans develop chronic pain syndrome. Prolonged use of analgesics, such as chronic opioid therapy, is associated with constipation, sleep-disordered breathing, hypothalamic-pituitary-adrenal dysregulation, fractures (as a result of osteoporosis), and significant declines in health-related quality of life and increased health care costs. Therefore, it would be advantageous to mitigate chronic pain without the long-term use of analgesics.
In this next section, you’ll discover the fascinating concept of audible sonic stimulation of the body’s nociceptors, as an alternative therapeutic modality in the treatment of chronic pain. Unlike prolonged use of analgesics, audible sonic interventions have no known adverse side effects.
Principles Of Pain Mediation By Sound
Nociceptors are the specialized sensory receptors responsible for the detection of noxious (unpleasant) stimuli, transforming the stimuli into electrical signals, which are then conducted to the central nervous system.
They are the free nerve endings of primary afferent fibers and are distributed throughout the tissues of the body, including the skin, viscera, muscles, joints, and the meninges of the brain, (though not in the grey matter of the brain).
The four main classifications of afferent fiber have specialized roles, for example, response to light touch, acute events, or response to chemical or thermal stimuli, but crucially all types of afferent nerve fiber respond to mechanical pressure. And since sound may be defined as, “Mechanical radiant energy that is transmitted by longitudinal pressure waves in a material…”, it becomes clear that all types of afferent fiber respond to sound.
This fact is reinforced by the Niels Bohr Institute discovery that nerves conduct sound as soliton pulses. When nociceptors are stimulated, nerve impulses are transmitted to three spinal cord systems: the cells of the substantia gelatinosa in the dorsal horn, the dorsal-column fibers that project toward the brain, and the first central transmission (T) cells in the dorsal horn.
The Gate Control Theory Of Pain
The theory by which sound frequencies can mediate pain is based on the “Gate Control Theory of Pain,” which was first proposed in 1965 by Ronald Melzack and Patrick Wall. The theory was initially met with skepticism but despite having to undergo several modifications, its basic concept remains unchanged. Their theory provides a physiological-neural explanation for pain perception and ultimately revolutionized pain research. Gate Control Theory proposes that there are gates between the afferent nerves and the brain, located in the spinal column, which controls how pain messages flow from the peripheral nervous system to the central nervous system.
For example, pain signals conduct freely along small A-delta afferent fibers (that sense sharp pain), and small type C afferent fibers (that sense dull pain) open the gate, resulting in the perception of pain in the brain. By stimulating the large A-beta fibers or A-alpha fibers in the area experiencing pain, a reaction is caused in nearby inhibitory neurons. Once activated, Inhibitory Neurons, which sit on the same path as the Projection Neurons, the gate closes, thus muting pain signals before they reach the brain. Stimulating A-beta fibers or A-alpha fibers can be achieved by specific sound frequencies, as mentioned below.
Some of the optimal frequencies found to be beneficial for pain mediation via nociceptor stimulation were discovered in Finland by clinical psychologist, Petri Lehikoinen, in the range 27 Hz to 113 Hz. Lehikoinen developed a therapeutic system: Physio Acoustic Sound (PAS) therapy, that was approved in the USA by the Federal Drug Administration (FDA) and in the UK by the British Standards Institute (BSI) for three claims: decreased pain, increased blood and lymphatic circulation and increased muscle relaxation and mobility. In Norway, Olav Skille placed particular emphasis on specific therapeutic frequencies at 40 Hz, 52 Hz, 68 Hz, and 86 Hz.
Pain can also be experienced that is not a consequence of nociception, categorized as “neurogenic” pain, stemming from neural circuit dysrhythmias or disconnections. However, neurogenic pain has been found to be mediated by vibratory analgesia as a result of cortical dynamics. For example, in a study with fibromyalgia patients, positive effects were obtained due to oscillatory coherence, with 40Hz vibrotactile stimulation of the body.
Descending Inhibition Of Pain
A second mechanism of pain mediation, sometimes referred to as the “top down” modulation of pain, but more accurately described as the “Descending Inhibitory system” or “Descending Analgesia System” can be activated by music that elevates the emotions. Such music-invoked emotions can be described as “thrills.” Music offers a wealth of benefits with no negative side effects and is, therefore, a favorable option for those who are looking for alternative pain management therapies.
The origin of this second pain mediation mechanism arose from an early study by Dr. Henry K. Beecher, titled “Pain in Men Wounded in Battle” in which he notes, “Three-quarters of badly wounded men, although they have received no morphine for a matter of hours have so little pain that they do not want pain relief medication… Strong emotion can block pain.”
Descending Inhibition concerns tracts arising from the brainstem that terminate on the spinal cord to suppress sensory transmission and consequently produce analgesia. Music-induced analgesia is hypothesized to occur as a result of the release of opioids during music listening, thereby engaging the descending analgesia system that creates anti-nociceptive responses in the spinal cord. Descending inhibitory pathways use endogenous opioids, hydroxytryptamine (5-HT), and noradrenaline, and their effects are mediated through supraspinal, midbrain-spinal, and brainstem-spinal circuits.
A large number of brainstem structures suppress pain through descending projections to the spinal dorsal horn, and in most cases, their descending pain suppressive effect is relayed through the periaqueductal gray matter (PAG) and the rostral ventromedial medulla (RVM). The RVM in the brainstem is a particularly important relay site for integrating descending influences to the spinal cord.
Breaking The Spinal Injury “Pain-Spasm-Pain” Cycle With Sound
The first suggestion of a pain-spasm-pain cycle is generally credited to Janet Travell who wrote in 1942, “If muscle spasm causes pain, and pain reflexly produces muscle spasm, a self-perpetuating cycle might be established…”.
Today, it is well known that spinal injuries typically create muscle spasms to “splint” the site of injury, providing protection while the healing process takes place.
In a round table discussion between four physicians, titled, Diagnosis and Treatment of Low Back Pain because of Paraspinous Muscle Spasm: A Physician Roundtable, published in the journal Pain Medicine, Dr. McCarberg states:
“From an initial injury the patient develops pain. Motor neurons are activated as a reflex to splint that area causing muscle spasms. Muscle spasm clearly causes pain, but the exact cause of pain is poorly understood. Regardless, this pain will cause more muscle spasm…Hopefully, if this cycle is interrupted, a chronic problem will not occur.”
The trauma caused by a spinal injury, or another injury, causes pain, which leads to muscle tension. A cascade of effects then results in which the muscle tension decreases the blood circulation, which (hypothetically) causes hypoxia and further pain in the affected muscles. The spasm then intensifies, which causes the hypoxia to intensify and the pain to intensify, therefore causing far more pain than the injury.
The decrease in blood circulation is hypothesized to be a direct result of compression of intramuscular blood vessels, a concept that is supported by the fact that it is known that blood supply to a muscle is decreased during voluntary contraction and that pain following muscular exercise is very similar to pain induced by an experimental reduction in the blood supply to a muscle. A potential solution to breaking the pain-spasm-pain cycle is by locally applied low-frequency sound <50 Hz. The mechanical pressure generated by low-frequency sound is similar to the low-frequency pressure pulses from heartbeats in the circulatory system, thus increasing oxygen-binding to haemoglobin molecules in red blood cells.
Acupressure & Sonopuncture For Pain & Anxiety Relief
The advance of acupressure and sonopuncture for healing is an emerging, promising field of study.
There exists a significant potential for pain reduction, as well as support for a range of other chronic conditions, including depression, PTSD, insomnia, and others.
Acupressure is an alternative medicine methodology that originated in ancient China; embodying treatment effects by stimulating acupuncture points using acute pressure. The World Health Authority, in their 1991 international acupuncture nomenclature report, lists 14 main meridians and 361 classical acupuncture points, in addition to eight extra meridians and extra points. These same classical acupuncture points, which can be activated by acute local pressure, can also be activated by sound, since sound (as mentioned earlier) may be defined as “Mechanical radiant energy that is transmitted by longitudinal pressure waves in a material…”. This is the basis of “sonopuncture,” a therapeutic modality that is a type of acupressure.
A comprehensive review paper of fifteen acupressure studies concluded that acupressure is shown to reduce dysmenorrhea pain, labor pain, low back pain, chronic headache, and other traumatic pains. The clinical trials showed that acupressure can be efficiently conducted by healthcare professionals as adjuvant therapy in general practice for pain relief. The authors also concluded that their systematic review paper begins to establish a credible evidence base for the use of acupressure in relieving pain and that an evidence base of reliable and valid evaluation is crucial for clinicians.
In terms of the implication for nursing education, practice, and research, the review provides important evidence that acupressure uses a noninvasive, timely, and effective way to support its effectiveness in relieving a variety of pains. D. Carey, a licensed acupuncturist, developed a therapeutic method using tuning forks of a specific frequency to activate acupuncture points while she was Clinical Dean at the Northwest Institute of Acupuncture and Oriental Medicine, in 1995. The intent was to seek a non-invasive therapy that could be taught to students and used in clinics with patient populations who were critically ill, including those suffering from HIV/AIDS, chronic pain, and trauma.
Today, this method of sonopuncture training is available in a certified course, providing an integrative medicine model that dovetails with many clinical specialties and can provide support for patients pursuing traditional Western medicine therapies.
Therapeutic Use Of Tuning Forks
Licensed acupuncturist M.E. Wakefield, L.Ac., awarded “Educator of the Year” by the American Association of Oriental Medicine in 2005, is co-author of Vibrational Acupuncture: Integrating Tuning Forks with Needles, 60 with Michel Angelo, M.F.A., vibrational medicine advisor. Their book uniquely explores the synergy of tuning forks and acupuncture. For pain mediation, via sonopuncture, the authors recommend applying a tuning fork of 136.1 Hz to specific acupuncture points. Although sonically activating acupressure points typically supports several interconnected bodily systems, the following examples focus mainly on pain mediation:
Lu-7 Lieque, ‘Broken Sequence’ alleviates headaches, sore throat, migraines, toothache, and pain in the wrist.
SI-3 Houxi, ‘Back Stream’ alleviates neck pain, acute lumbar sprain, and pain in the shoulder and elbow.
UB-62 Shenmai, ‘Extending Vessel’ alleviates headache, backache, leg ache, and insomnia.
TH-5 Waiguan, ‘Outer Pass’ alleviates headache, facial pain, finger pain, and hand tremors.
Bl-58 Feiyang ‘Taking Flight’ mediates sciatic pain, and alleviates headache and back pain.
Another important therapeutic use of tuning forks was discovered by E.D. McKusick, M.A., author of the book, Tuning the Human Biofield. Energy-information is constantly radiated from the body in the form of biofields, as mentioned in part one of this article. The biofields include bio-photonic energy, for example, modulated infrared electromagnetism that is a natural consequence of cellular metabolic processes, in addition to modulations in the electromagnetic fields emitted by the heart, brain, and other organs.
Quoting from the book’s foreword by Dr. Karl H. Maret, who practices complementary and alternative medicine:
“When a holographic sound field such as that produced by a tuning fork, which contains complex data structures of pure frequencies with changing phase relationships interacts with the biofield of a person, the cellular memories of various tissues can be reawakened, potentially leading to a healing response. Quantum physical field theory predicts the occurrence of a number of coherent dynamic phenomena in liquid water inside cells and tissues that may be stimulated by sound. This process affects the free electron clouds existing within these coherent water domains, [thus modifying] cellular processes through their interaction with the hydration shells surrounding cell membrane receptors.”
The biofield tuning method has been shown to consistently reduce anxiety, as well as relieve pain.
Although sonopuncture is typically applied by tuning forks, devices that emit low-frequency vibration can also achieve sonic activation of acupressure points in addition to devices that emit ultrasound. The acupressure points on the soles of the feet can also stimulate the meridian system by applying audible sound frequencies. Dr. M. Cromwell developed a therapeutic device that uses a vibrotactile transducer, emitting a range of audible sound frequencies into acoustic gel-filled pads on which the soles of the feet rest, thus stimulating the meridian system. Together with her assistant, Kate Holland, CCP, they conducted a six-week investigative pain study in 2016, with three individuals, a female of 30 years, a male of 38 years, and a male of 68 years.
Musical Stimulation Of The Immune System
Illness in any form can cause emotional distress and emotions can play a significant role in a patient’s recovery from illness or from an operating procedure.
Stress and fear cause the release of cortisol from the adrenal glands, helping prepare the body for “fight or flight” by providing extra glucose, tapping into protein stores via gluconeogenesis in the liver.
However, cortisol also suppresses the immune system and other bodily systems considered by nature to be “non-essential” in the short term, making the patient more vulnerable to contracting pathogens. While pharmaceutical sedatives are routinely prescribed to mediate a patient’s stress and fear, music can produce a similar outcome without medication. Music, when played live to patients, provides full body immersion in a myriad of sonic frequencies that have both physiological and psychological benefits. Listening to music via headphones has a direct effect on the vagus nerve, as described later.
Music can evoke happy memories of times, places, or life events that can quickly transform a patient’s mood into a sense of joy, in which state the brain and enteric nervous system in the digestive tract produce dopamine, which boosts the immune system. In parallel with the increase in dopamine, a patient’s favorite music causes a reduction in cortisol levels. Joy also triggers the pituitary gland in the brain to release beta-endorphins into the bloodstream, which produce analgesia by binding to mu-opioid receptors that are present throughout peripheral nerves. Mu-opioid receptors have been identified in the central terminals of primary afferent neurons, peripheral sensory nerve fibers, and dorsal root ganglia.
A further important connection between music and the immune system was reported in a 2019 study by Augusta University, USA. The researchers found that when mice were subjected to low-frequency sound vibrations, macrophages in their bloodstream proliferated significantly. This effect has not yet been demonstrated in humans, however, it seems likely that human blood will respond in a similar way to that of murine blood. The possible mechanism that powers the proliferation of macrophages in the blood that is immersed in low-frequency sound is an increase in the pO2 level. It is important to mention that this aspect of the connection between music and the immune system would occur only during full-body immersion since the full circulatory system would require stimulation by low sonic frequencies.
Oxytocin & Happiness
The pituitary gland also stores the neuropeptide oxytocin, colloquially known as the “love hormone.” Oxytocin is made in the hypothalamus and transported to large, dense-core vesicles of the posterior lobe of the pituitary gland where it is released into the bloodstream in response to sexual activity and orgasm in addition to childbirth. In a broader context, there appears to be a general consensus among studies that music listening enhances oxytocin synthesis and postoperative patients listening to music through headphones demonstrated an increase in serum oxytocin and reported higher levels of relaxation, compared to a control group with no music.
Oxytocin and its receptors appear to hold the leading position among the candidates for the substance of “happiness,” and in a study focussed on autistic children, significantly lower levels of oxytocin were found in their blood plasma, suggesting a ray of hope in finding a role for oxytocin in the treatment of autism, that is, in both of these cases (evoking happiness and supporting the treatment of autism) there is an obvious link in the form of music, whether applied via headphones or full-body immersion.
Physiological Benefits Of Binaural Beats
Binaural beats were discovered accidentally in 1839 by the Prussian scientist Heinrich Wilhelm Dove, during experiments with two tuning forks of dissimilar frequencies.
He has been referred to as “The Father of Meteorology” for his work in that field.
However, as late as 1915 his discovery of binaural beats was considered a trivial special case of monaural beats. Monaural beats occur when two sounds of slightly different frequency sound simultaneously, resulting in a pulsating effect caused by the mixing of the two sounds, which are reinforced during moments when their phases align and diminished when their phases oppose each other.
But during headphone listening, when two slightly different frequencies are experienced, the composite difference frequency is known as a binaural beat and it provides a mechanism for stimulating the auditory system at very low frequencies, below the frequency range of hearing. Listening to binaural beats produces the illusion that the sounds are located somewhere within the head. The lower auditory centers of the brain are in the medulla oblongata, and impulses from the right and the left ears first meet in the left or right superior olivary nucleus. These structures are part of the olive, an organ that in this view lies behind the brain stem. It is probable that binaural beats are detected here. The difference in frequency between sounds presented to the left and right ears entrains the brain rhythms to that frequency.
In a carefully designed, double-blind, binaural beats crossover study, titled Binaural Auditory Beats Affect Vigilance, Performance and Mood. Physiology and Behavior, 29 volunteers were tested. The recordings used in the study contained a background sound of pink noise and a carrier tone, within which was embedded an entraining difference in frequency between left and right channels. (The purpose of the pink noise was to mask the sound of the carrier tone.) The participants were kept blind to the true purpose of the study and were unaware of the presence of binaural beats in the headphones. The results of the study provided evidence that the presentation of simple binaural auditory beat stimuli during a 30-minute vigilance task can affect both the task performance and changes in mood associated with the task. The effects on behavior and mood were observed in the absence of participant expectations, and experimental control ruled out placebo effects. The authors concluded that simple binaural-beat auditory stimulation can influence psychomotor and affective processes, even when people are unaware that such signals are being presented, and that this technology may have applications for the control of attention and arousal and the enhancement of human performance.
In another double-blind crossover study, titled, Reduced pain and analgesic use after acoustic binaural beats therapy in chronic pain – A double-blind randomized control cross-over trial, the authors concluded that theta rhythm binaural beats reduced pain intensity, stress, and analgesic use, compared to sham stimulation, in chronic pain patients. A further conclusion was that the subsequent significant reduction in analgesic medication consumption in chronic pain patients’ daily living could offer a valuable tool, augmenting the effect of existing pain therapies.
Robert Monroe of The Monroe Institute created a system of binaural beats in which individuals listen to a combination of audio binaural beats mixed with music, pink noise and/or the natural sound of the ocean waves that has been named the ‘Hemi-Sync’ process. Studies with this system have shown improvements in sensory integration, relaxation, meditation, stress reduction, sleep, and pain management enriched learning environments, and enhanced memory.
Sonic Stimulation Of The Vagus Nerve
The vagus nerve represents the main component of the parasympathetic nervous system.
It oversees a vast array of crucial bodily functions, including control of mood, immune response, digestion, and heart rate, and carries an extensive range of signals from the digestive system and organs and vice versa.
Upon exiting the jugular foramen, an auricular branch is given off, giving innervation to the auditory canal and external ear. This is the only branch of the vagus nerve given to the head. As the vagus nerve descends the neck via the medulla oblongata, branches leave to the pharynx and larynx before continuing into the thorax where it connects with the heart and other major organs. The laryngeal and auricular connections are of special interest in the context of sound therapy and music medicine, discussed later in this section, following an overview of the vagus nerve and methods of its therapeutic stimulation.
The Brain-Gut Axis
The bi-directional communication between the brain and the gastrointestinal tract, sometimes called the “brain-gut axis,” is a complex system that includes the vagus nerve, and is becoming increasingly important as a therapeutic target for gastrointestinal and psychiatric disorders, such as inflammatory bowel disease, depression, and posttraumatic stress disorder. The gut is an important control center of the immune system and the vagus nerve has immunomodulatory properties. As a result, this nerve plays an important role in the relationship between the gut, the brain, and inflammation.
The Role of Inflammation
There is a “hard-wired” connection between the nervous system and the immune system as an anti-inflammatory mechanism. Counterregulatory mechanisms, such as immunologically competent cells and anti-inflammatory cytokines normally limit the acute inflammatory response and prevent the spread of inflammatory mediators into the bloodstream. The dorsal vagal complex responds to increased circulating amounts of tumor necrosis factor (TNF-α) by altering motor activity in the vagus nerve, therefore, stimulation of the vagus nerve can help restore cytokine balance, leading to a reduction in chronic inflammation.
The vagus nerve is a major component of the neuroendocrine-immune axis which is involved in coordinated neural, behavioral, and endocrine responses that provide an important first-line innate defense against infection and inflammation and help restore homeostasis in the body. Inflammatory diseases in which tumor necrosis factor (TNFa) is a key cytokine are good candidates for treatment targeting cholinergic anti-inflammatory pathway (CAP).
In essence, the inflammatory reflex is a physiological mechanism through which the vagus nerve regulates immune function and inhibits pro-inflammatory cytokine production, thus, preventing excessive inflammation by alerting the brain to the presence of cytokines, which triggers the release of anti-inflammatory molecules that reduce the inflammation and maintain a healthy balance.
Vagus Nerve Stimulation & Cancer Prognosis
One of the most important potentials for vagus nerve stimulation concerns its role in cancer prognosis. In a review paper titled, The Role of the Vagus Nerve in Cancer Prognosis: A Systematic and Comprehensive Review, the authors highlight the fact that cancer remains the second leading cause of mortality worldwide, with prostate cancer being the most prevalent cancer type in men and breast cancer in women. Cancer is a complex condition since it includes several hundreds of different types and because it involves and is affected by multiple body systems. Studies have shown that three basic biological factors contribute to the onset and progression of tumorigenesis:
Oxidative stress, which leads to DNA damage
Inflammation that contributes to escape from apoptosis, angiogenesis, and metastasis
Excessive sympathetic activity, which affects where cancer cells will metastasize
One factor common to these three factors, which inhibits all three and influences cancer prognosis, is vagus nerve stimulation because it reduces oxidative stress, informs the brain about inflammation and profoundly inhibits inflammation, and inhibits sympathetic activity since it is a major branch of the parasympathetic nervous system.
Vagus Nerve Stimulation & Aging
Another important aspect of vagus nerve stimulation, and one that concerns us all, is the rate at which you age. In a study titled, “Effects of Transcutaneous Vagus Nerve Stimulation in Individuals Aged 55 Years or Above: Potential Benefits of Daily Stimulation,” the authors point out that [the rate of] aging is associated with attenuated autonomic function. One segment of their study involved self-administered, electrical transcutaneous vagus nerve stimulation (tVNS), of 20 females and 9 males, once daily for two weeks. Measurements included heart rate, blood pressure, and respiration. Frequency-domain, time-domain and non-linear heart rate variability, and baroreflex, were derived for the final five minutes of each recording.
In addition, participants completed the SF-36 Profile of Mood States questionnaire at the beginning of each session. The authors reported improvements in participants’ vagal tone and autonomic tone and mentioned that their study provides “novel and timely data showcasing that daily tVNS can have profound autonomic benefits in individuals aged >55 years.” They concluded that “For the first time, we have shown that age-related autonomic, quality of life, mood and sleep changes may be improved with tVNS administered every day for two weeks.”
Vagus Nerve Stimulation & HRV
A further interesting and potentially crucial aspect of vagus nerve activity concerns the link to Heart Rate Variability (HRV), the variability of interbeat cardiac intervals that is strongly correlated with vagal nerve activity and cardiac autonomic regulation.
The Power Spectral Density (PSD) of high-frequency heart rate variability, (HF-HRV) is cardiac frequency activity in the range 0.15 to 0.40 Hz and is strongly associated with cardiovagal activity. (By comparison, low-frequency cardiac activity (LF) is in the range 0.04 to 0.15Hz). LF and HF frequency bands are widely used to quantify parasympathetic and sympathetic regulation.
The vagus nerve plays a major homeostatic role, indicated by people with high HRV who have shown improved recovery rates to physiological stress in cardiac, hormonal, and immune systems compared to those with lower HRV.
In twelve studies that investigated the association between vagal tone activity and prediction of prognosis in cancer, which included 1,822 patients, the emerging evidence was consistent in demonstrating a prognostic role of vagal activity and a significant correlation between survival time and high-frequency heart rate variability.
Using the vagal nerve index of HF-HRV, when data was analyzed from a cohort of women with metastatic and recurrent breast cancer it was found that in a sample of 87 women, higher HF-HRV significantly predicted long-term survival. It was also found that the predictive validity of HF-HRV improved when dividing it by the patient’s heart rate, thus reflecting a more vagal/sympathetic ratio. The authors of the review study call for seriously considering adding HRV to the clinical estimation of prognosis in oncology.
Methods Of Vagus Nerve Stimulation
In this section, three methods of vagus nerve stimulation are discussed: electrical, sonic, and laryngeal, all of which improve vagal tone with many potential health benefits.
The vagus nerve can also be stimulated by acupuncture, by experienced and licensed acupuncturists.
1. Electrical Stimulation Of The Vagus Nerve
Electrical stimulation of the vagus nerve (VNS) was first studied in the 1930s and 1940s with animals, which laid the groundwork for studies in humans.
Following successful clinical trials, the FDA approved the use of an implanted electrical vagus nerve stimulator for the treatment of certain types of epilepsy in 1997. The procedure involves implanting electrodes near the vagus nerve in the neck, along with a control device and battery implanted into the chest. The same mode of treatment was later also approved by the FDA for use in chronic, drug-resistant depression.
Transcutaneous (through the skin) vagus nerve (tVNS) is currently emerging as an alternative and seeks to administer electrical stimulation to the vagus nerve without the need for implant surgery, thus avoiding the associated risks. Stimulation is typically applied via the auricular branch of the vagus nerve via the tragus of the pinna. The European Union certified tVNS as an alternative treatment for epilepsy and pain in 2010 and 2012respectively.
As early as 2001, researchers showed that electrical stimulation of the vagus nerve via the tragus, using a form of electroacupuncture reduced the dependence of patients with coronary arterial disease on vasodilator medication.
In their study titled “Vagal Neurostimulation in Patients with Coronary Artery Disease,” the authors stimulated the area of the ear near the auditory passage that contains endings of the auricular nerve, by means of electrodes attached to short acupuncture needles, inserted to a depth of 0.1 to 300.3 mm. The authors concluded that electrical stimulation of the auricular nerve results in a tonic activation of the central vagus nerve structures and that an increase in vagal tone improves cardiac blood supply in patients with severe angina via dilation of spastic cardiac microvessels for Referred pain to the ear from myocardial infarction has also been reported, due to the connectivity of the ear and the heart, via the vagus nerve.
In the study titled “Anti-inflammatory Properties of the Vagus Nerve: Potential Therapeutic Implications of Vagus Nerve Stimulation,” electrical tVNS frequencies used to activate vagal afferents to mediate depression and epilepsy are quoted as 20-30 Hz, and activation of the cholinergic anti-inflammatory pathway (CAP) as 1-10 Hz. The authors mention anti-inflammatory properties of the vagus nerve both through its afferent (activation of the HPA axis) and efferent (activation of the CAP) fibers and that it is a good therapeutic target in inflammatory conditions of the digestive tract, for example, irritable bowel syndrome, and rheumatoid arthritis.
[Note from Ben: Thanks to modern technology, it’s now possible to take advantage of at-home vagal nerve-stimulating sound-related devices such as Sensate (code: BGL for $30 off).]
2. Sonic Stimulation Of The Vagus Nerve
Returning to the subject of sonopuncture and to the research by the Niels Bohr Institute, discussed earlier in this article, it was shown that nerves conduct sound (soliton impulses), which in turn generate electrical pulses, due to the piezo-electric effect.
Therefore, although a corpus of research shows that the vagus nerve can be electrically stimulated via the tragus and other acupressure points of the ears, it is clear that this can also be achieved sonically, and that such sonic stimulation will, automatically, lead to electrical stimulation of the auricular branch of the vagus nerve, due to the piezo-electric effect. In this scenario full ear headphones should be worn, enabling the full pinna of the ear to receive sound frequencies.
The very low frequencies commonly deployed in tVNS therapies can be created sonically via high-specification headphones, and several manufacturers now produce headphones that can deliver sounds as low as 5 Hz. Although no studies of this type have yet been conducted, this form of sonopuncture may hold great therapeutic potential in support of a wide variety of illnesses, some of which have been mentioned in this section, including chronic inflammation. Sonic stimulation of the vagus nerve would be achieved by sinusoidal tones, generated by an audio signal generator and fed to headphones via a suitable audio amplifier with the ability to handle very low frequencies.
However, specially prepared music could also be deployed therapeutically, that is, music to which the very low frequencies identified in tVNS studies could be added to the music, either embedded in the recording or added separately to the amplifier input feed from an electronic signal generator. In such a scenario the patient would be able to enjoy the many health marker benefits of listening to music, mentioned earlier in this article, while the vagus nerve would be vibrationally stimulated by sonopuncture frequencies below the range of hearing, adding further health benefits, for example, reducing chronic inflammation.
Dr. Tomatis’ “Electronic Ear”
Before discussing vocal stimulation of the vagus nerve, I want to make a special mention of the work of French otolaryngologist, Alfred A. Tomatis.
Dr. Tomatis received his Doctorate in Medicine from the Paris School of Medicine and formulated a theory that many vocal problems are actually hearing problems, based on the concept that the voice cannot produce what the ear cannot hear, today referred to as ‘The Tomatis Effect.”
Tomatis developed the “Electronic Ear,” a device that utilizes bone conduction and sound filters to improve the tone of the muscles in the middle ear, to sensitize the listener to the missing frequencies, particularly in the high registers. The ear starts forming a few days after conception and is fully developed by the fourth month of pregnancy. Tomatis theorized that information coming from the fetal ear stimulates and guides the development of the brain. He believed that a number of auditory communication problems begin in pregnancy, with the fetus not properly responding to the mother’s voice. In children with ASD, he believed that his electronic ear device simulated the sound of the mother’s voice as heard in the uterus, leading the child to gradually accept and respond to her real unfiltered voice. He reported that this method often brought startling results, with children crying with joy as they recognized their mother’s voice for the first time.
“It is this [vagus] nerve that helps the singer to consciously rediscover the correct respiration rhythm as well as cardiac and visceral rhythms so that synergy is created between this internal network and the larynx…It is equally important in mastering a fluid and correct verbal flow of speech…Without doubt, singing is one of the best ways to free ourselves from the burden of parasympathetic or neurological imbalances.”
3. Vocal Stimulation Of The Vagus Nerve
Last, in this section of the article, the laryngeal connection to the vagus nerve expresses and directly influences internal visceral states through the voice.
In the article “Stalking the calm buzz: how the polyvagal theory links stage presence, mammalian evolution, and the root of the vocal nerve,” Joanna Cazden discusses Stephen W. Porges “polyvagal theory” which emphasizes phonation, respiration, and hearing.
Porge’s research proposes that the voice is strongly influenced by neuro-regulation that underlies your ability to communicate, and because the vagus nerve mediates both your emotional state and your laryngeal muscle activity, your visceral states directly influence and are expressed through the voice.
A full appreciation of the autonomic vagus nerve, its influence on behavior, and its implications for vocal performance, requires a distinction between the neurophysiologic aspects of the autonomic system’s two main sub-branches, the sympathetic and parasympathetic. These two aspects of the autonomic nervous system can be thought of as a sympathetic accelerator and a parasympathetic break, providing bidirectional neural communication between your organs and brainstem. Several nerve tracts in the brain can send sympathetic signals to stimulate a faster heartbeat but only the vagus nerve sends a slowing signal, achieved during exhalation: the heart beats slightly faster as you inhale and slower as you exhale. This effect is termed Respiratory Sinus Arrhythmia (RSA), which is a measure of vagal tone.
The auditory nerve (CN VIII) that carries sound signals from the ears to the brain receives close crosstalk from the myelinated vagus nerve. Porge mentions that the voice is a potent trigger of the physiological states of others and that emotional prosody is an audible sign of autonomic status, recognized in the brain of the listener. Because the laryngeal nerves branch directly from the vagus, the voice transmits your inner resilience and expressive visceral state to others through sound.
In the study “Music Structure Determines Heart Rate Variability of Singers,” it is suggested that singing can be viewed as initiating the work of a vagal pump: Singing produces slow, regular, and deep respiration which in turn triggers RSA, causing a pulsating vagal activity. In addition, as discussed in the section Active and passive sonic stimulation of the nasal cavities and lungs, singing, chanting, and humming stimulate nitric oxide production in the nasal cavities and lungs, with many associated health benefits.
Playwright, John Guare, said, “the purpose of art is to exercise the muscles of the soul, so that when the challenges of life come, we are prepared.” Porge’s polyvagal theory suggests that these “muscles of the soul” may be found in the tiny area of the brainstem where a single myelinated pathway influences the remarkable vagus nerve.
The Future Of Vibrational Medicine
The depiction of a therapeutic bed of the future, as fictionalized in the television series “Star Trek,” inspired the imagination of millions of viewers into what may be possible in the twenty-third century.
Yet even now, medical physics of the twenty-first century is beginning to develop a non-invasive diagnostic bed capable of indicating asthma, sepsis, and even several types of cancer by monitoring exhaled gases and compounds from patients.
The technology that makes this possible is a mass spectrometer, the same type of instrument onboard NASA’s Perseverance rover on Mars, searching for signs of life. Other instruments that can be integrated into this future bed include thermal and hyper-spectral imagers that will track temperature and skin color to monitor a patient’s metabolism, while ultrasound sensors will non-invasively measure blood flow and oxygenation to analyze the heart’s activity and blood circulation in real time.
Brain activity can also now be measured without attaching electrodes to a patient’s scalp, by a superconducting quantum interference device (SQUID) magnetometer, making it possible to monitor neurological conditions remotely. The distance between the skull and the magnetometer is typically 2cm at present but future improvements in sensitivity may make it possible to build the magnetometer into the structure of the bed, providing EEG readouts in bed-head displays. Such powerful diagnostic aids seem like science fiction, yet are becoming a reality.
Also mirroring Star Trek, active healing technology could be built into hospital beds of the future. For example, as this article has highlighted, chronic pain mediation without the use of analgesics is already possible by means of sound vibrations applied to specific body parts, which can be achieved while a patient is supine. Commercial vibroacoustic beds have been developed by several manufacturers and their use in clinical environments is likely to play an increasingly important role in hospitals of the future.
In addition to pain mediation, whole body vibration to supine patients could greatly enhance a patient’s blood oxygen levels, as the author’s preliminary studies have shown, thereby supporting the healing of many illnesses. Sonic stimulation of a patient’s lungs and nasal cavities would also increase their nitric oxide levels, thereby encouraging vasodilation, lowering blood pressure, and providing many other health benefits. Music delivered to every patient, via ultrasonic speakers, would help elevate their mood and therefore, dopamine levels, providing a helpful boost to their immune system, crucial to healing processes.
Sonic Signatures For Cancer Treatment
One of the greatest challenges facing medicine in the twenty-first century is in the eradication of cancer, yet a discovery made by Professor James Gimzewski of UCLA, in 2002, offers an intriguing potential for eradicating not only cancer cells but perhaps any pathogen.
Using an Atomic Force Microscope, he and his colleague Dr. Andrew Pelling and their team were able to listen to the sounds of cells for the first time. Surprisingly, they found that the respiration sounds of cells lie in the audible range when amplified, naming their new approach to cell biology “sonocytology,” referring to the “songs” of cells.
Raman spectroscopy offers an accessible alternative method of recording the songs of cancer cells, which differ significantly from that of healthy cells. In a study by the author, in collaboration with Professor Sungchul Ji of Rutgers University, sounds from cancer cells and healthy cells, derived by Raman spectroscopy, were made visible with the aid of a cymascope instrument, imprinting the sound vibrations onto medical-grade water, rather like a fingerprint on glass, thus leaving a visual signature of the cell sounds. A typical cymaglyph (sound image) of a healthy cell sound is symmetrical, while that of a cancer cell is skewed by comparison. The study, titled, Imaging Cancer and Healthy Cell Sounds in Water by Cymascope, Followed by Quantitative Analysis by Planck-Shannon Classifier was published in the Water Journal, as the revealing medium of sonic vibrations in the cymascope instrument is water.
This collaborative study was a first step toward creating visual imagery for a surgeon who would wear specially adapted eyewear, to see, in real-time, changing sound patterns as the Raman laser probe is scanned across the tissues during an operating procedure. However, the most exciting aspect of this new technology lies in its potential for early cancer detection and ultimately to destroy cancer cells.
By taking a biopsy of a cancer, its sonic signature could be detected and amplified, then used to modulate an ultrasound beam directed at a tumor. In such a scenario the tumor cells would absorb sufficient acoustic energy (of the cancer cell’s own sonic signature) to be destroyed.
Such a therapeutic procedure would likely be given during a series of outpatient visits, in which a percentage of the tumor’s mass would undergo a controlled shrink on each visit, to minimize the toxic waste of dead cancer cell material. For leukemia sufferers, this principle holds the potential for sonic irradiation of the patient’s blood via a specially adapted intraoperative recirculating system.
Another area of future sound-based medical physics concerns the G0 phase of the cell cycle.
This is when a system of cells becomes quiescent due to environmental changes, for example, glucose depletion, heat shock, free radicals, pathogen invasion, or toxicity.
When a system of cells is in the G0 phase this creates an imbalance in the body, resulting in physiological symptoms, yet, hypothetically, cells in this “sleeping” state can be stimulated to return to the normal cell cycle by immersion in specific sound frequencies or in music. (Recall that Professor James Gimzewski’s research indicated that the sounds emitted by cells are in audible frequency ranges, typically centered around 1 kHz.)
The quasi-holographic nature of sound, and the spherical space-form of audible sounds, is why Faraday Wave patterns manifest on the surface membranes of cells, organs, visceral fascia, and in visceral fluids. Although not within the scope of this article, it is also why all of the energy information within a specific sound frequency, or within music, is conveyed to the cell’s interior. Also popularly known as “cymatic patterns” after Dr. Hans Jenny, who coined the term to mean “visible sound,” the importance of this natural phenomenon is vital in relation to the future of vibrational medicine. The integral membrane proteins and primary cilia of cells are, in a very real sense, massaged by the anti-nodal pressure points of such microscopic sound patterns, stimulating cells in ways that have yet to be discovered.
Sound organizes matter, a fact that can be seen in simple Chladni Plate experiments with particulate matter, and in more sophisticated experiments with the CymaScope instrument, in which liquid water is used as the imprinting medium to transpose sonic periodicities to water wavelet periodicities.
Life on earth cannot exist without liquid water; structured water, or exclusion zone (EZ) water, is discussed in depth by Professor Gerald H. Pollack, in his ground-breaking book, The Fourth Phase of Water. He proposes that EZ water (H3O2), literally generates the electricity that helps power all living creatures. Here then is a connection waiting to be explored between sound frequencies that organize water molecules, and EZ water that powers life. Professor Pollack has discovered that EZ water is built by light, particularly infrared light, yielding a potentially fascinating connection between sound and your physiology: inelastic sonic collisions create sonically modulated infrared light that powers the EZ water-building mechanism in cells, which in turn powers your biology.
The organizational aspect of sound and its EZ water-building mechanism is already beginning to provide insights into what might come to be termed “sono-biology,” a field in which the role of structured water and sound is likely to become increasingly important in medicine.
These are just some of the many advances in medical science that hold the potential to support humankind in the quest to reverse disease, extend the life and improve quality of life. The role of sound in medical modalities is growing each year for drug-free therapies and for diagnostic applications and is finding welcome support among many physicians, and in hospitals worldwide. I predict that Sound Therapy and Music Medicine will have an important role in the future of medicine, one that deserves to be developed and nurtured.
Okay, it’s back to me, Ben. I’d like you to think about something: your skin is a giant ear.
What I mean by that is that your cilia, which are the tiny hair-like structures on every single cell membrane, can pick up vibrations. And if cells vibrate in response to different frequencies, it follows that frequencies can elicit specific functions in your body.
Kind of mind-blowing, right?
Again, though, this isn’t a “new” field. Since ancient times, civilizations have used the magic of sound to heal. And modern-day research is backing up the effectiveness of vibrational medicine to improve physical, emotional, and spiritual health by inducing positive responses in the body.
Here’s a rundown of the wealth of information that John covered in this article:
Both active and passive sonic stimulation produce nitric oxide, which has many health benefits.
Passive sonic stimulation can also help to clear mucus and improve symptoms related to COPD.
In 2005, a model of nerve conduction was proposed by researchers whose experiments showed that nerves conduct sound (soliton impulses), which in turn generate electrical pulses due to the piezoelectric effect. This discovery has significant implications for sound therapy and music medicine.
All types of afferent nerve fibers, the axons that relay sensory information from sensory receptors to regions of the brain, respond to mechanical pressure—and thus sound.
Acupressure and sonopuncture show significant potential for pain reduction, as well as support for a range of other chronic conditions, including depression, PTSD, insomnia, and others.
Sonic stimulation of the vagus nerve can be achieved via high-specification headphones that deliver sounds as low as 5 Hz. This form of sonopuncture may hold great therapeutic potential for illness support.
Auricular stimulation refers to Dr. Alfred A Tomatis’ work on developing the “Electronic Ear” device which improves tone muscles in the middle ear by sensitizing listeners to missing frequencies.
Active healing technology could be built into hospital beds of the future. For example, as this article has highlighted, chronic pain mediation without the use of analgesics is already possible by means of sound vibrations applied to specific body parts
If you read Part 1 of John’s article series, you already have a strong foundational knowledge of the field. And if you have absorbed the fascinating content Part 1 and Part 2 of this series, and perhaps taken John’s free training, you can go ahead and consider yourself the equivalent of a sound therapy graduate student (which may in fact be a legitimate graduate program soon enough).
Do you have questions, thoughts, or feedback for me or John about vibrational medicine? Leave your comments below, and one of us will reply!